Hand Coloring Black and White Photographs

One new trend in photo presentation, although a very old method in reality, is hand coloring of black and white photographs. In the days before color photography existed, craftsmen did tinting in special cases. Their goal was to create life-like colors and tones on sepia- and gray-toned photos in an attempt to make them more natural and alive. Studios employed artisans skilled at color mixing and application to accomplish natural likenesses of flesh tones, hair and wardrobe colors.

Today, we have brought back that softened look with a resurgence of interest in the craft of photo coloring. Many art materials can be used to give color to black and white photos. One highly respected product made specifically for photo tinting is very high quality Marshall Photo Oils. Offered in a number of color palette combinations in small tube sizes to keep the paint fresh, these are suitable for paper-based or resin-coated photo papers. There are also specially formulated colored pencils for color application on photos. Another product that can be used on photographs is special formulated dry sheet color dyes that are activated by contact with distilled water. With water media on photos, use as little fluid as possible so that the tone will dry flat rather than beaded.

Application of the oils is done with very sparing amounts of the oil paints. A whisper of paint is all it takes, especially with contemporary resin-coated photographic papers. The oils set on the surface and will not look smooth and natural unless they are spread into a super thin layer. Paint application with quality sable brushes is recommended, although a simple cotton bud is a great tool to smooth and soften the surface after the initial color is applied. Cotton buds are also great color pick-up tools and easily remove any oil application you wish removed. Allow the surface to dry thoroughly before matting and framing the work.

Photo tinting pencils can offer faster, less involved color application opportunities. They are ready to use at any time and require no special solvents or brushes. Again, cotton buds can help to "soften" the penciled surface and create a more smooth and even appearance. Since the pencils are dry, they do not penetrate the surface, yet offer immediate and easy coloring. When used in conjunction with the oils, they are very valuable. They can also color in thin, detailed areas where application with a brush is difficult.Tip: Preferably, use matte finish photographs for coloring and tinting. High gloss surfaces are not as accepting of pigments, and often the colored areas de-gloss the surface, making them less natural